The Nest also constructs scientists as monsters when Intec sends an entomologist, Dr. Morgan Hubbard (Terri Treas), to the island to examine the devoured dog. Dr. Morgan serves as a typical representative of the inhuman and perhaps “mad” scientist seen in most classic monster movies. Dr. Hubbard’s response to these incidents emphasizes the negative portrait of science and scientists in the film.
Instead of the fear felt by the rest of the community, Dr. Hubbard seems enamored by the roaches and explicitly anthropomorphizes them. For example, when the cockroaches attack a trapped cat, she exclaims, “very brave, very strange creatures,” a point emphasized by the few predators that can threaten the cockroach. These strengths add to the town’s danger but also draw on cockroach mythology.
Because they have been genetically modified in an Intec lab, the roaches have developed new powers, more concretely illustrating human and god-like qualities associated with them. Because she has produced them, Dr. Hubbard embraces these new superior but deadly qualities, naming them nymph cockroaches. She lauds their ability to reproduce without the contributions of male counterparts, but when she puts her gloved hand near them in a large lab container, they quickly bite it, highlighting their move from human prey to predator.
As a “mad” scientist, however, she seems sexually excited by the mangling of her hand, refusing to remove it until Elias pulls it out before the roaches devour it. Despite these warning signs, Dr. Hubbard tells Elias she can control the roaches and asks for twenty-four hours to solve the problem, a solution, we discover quickly, doomed to fail.
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