For Haraway, though, cyborg fiction and film also offers a space in which women can deconstruct binaries that construct nature and the feminine as inferior to their binary opposites, the masculine and culture.
We see such an exploration
in contemporary Japanese body modification horror like Machine Girl, RoboGeisha,
and Tokyo Gore Police.
In these
films, women, nature and the machine merge creating new organisms with the
ability to modify themselves from within.
In her Dinner with a Cannibal: The Complete History
of Mankind’s Oldest Taboo (2008), Carol A. Travis-Henikoff provides
evidence for multiple types of cannibalism, from the survival cannibalism noted
in Jamestown to the medicinal cannibalism of the Inquisition.
She notes, for
example, that cannibalism is celebrated in at least one book and film, Alive (1993). Her work builds on the
research of scientists and scholars from multiple fields, substantiating the
existence of cannibalism without condemning its practice.
These books
opened up avenues for aligning our early experiences with animals and the land
ethic with less pleasant elements of the natural world.
No comments:
Post a Comment