2017 CIFFF Winners: High School and Underground Documentary and Fictional Films

A. Documentary:

High School Winners

1st place: Letters to Lucy, dir. Lana Nguyen:

2nd place: TRANSaction: Stepping out of the Closet. Dir. Bridgit Galaty:

UG Winners

1st place: Gaining Altitude. Dir. Kristen Currier:

Film on Vimeo

2nd place: To the Brown Girl in the Room. Dir. Zoe Davidson:

Fictional Films:

High School Winners

1st place: Revelation. Dir. Catriona McLean:

Revelation on Film Freeway (ask permission to access)

2nd place: A Broken Match. Dir. Bridget Johnson:

UG Winners

1st Place: Sandra: Say Her Name. Dir. Jamie Walker:

Film Freeway VIdeo (ask permission to access)

2nd Place: Super Predator. Dir. Kalechi Agwacha:

FIlm Freeway Video (please ask permission to access)

Books Influencing Ecocinema Work, Continued

What was missing for us in our research for our monstrous nature book were explorations that address monstrous nature like the cockroach, parasite, cyborg, and cannibal. Four books helped us turn these “monsters” into part of the land ethic Aldo Leopold proposes: Cockroach, The Art of Being a Parasite, Simians, Cyborgs, and Women, and Dinner with a Cannibal.

Marion Copeland's Cockroach (2004) provides a complex perspective on the cockroach and its strengths. Copeland notes multiple positive associations with cockroaches. Although their nocturnal nature has connected them with a Freudian unconscious and id, in Thailand, Australia, South America, and French Guiana, cockroaches serve as food, medicine, and folk tale source. Copeland also notes that cockroaches contribute to cancer research and emphasizes their physical and intellectual strengths by making explicit connections between cockroaches and humans. As with humans, female cockroaches have stronger immune responses than males. And cockroaches can learn new tricks, overcoming their aversion to light. They also can learn to run a maze, even without their heads! 

To illustrate the interdependent relationships hosts and parasites may share, Claude Combes’ The Art of Being a Parasite (2005) defines and illustrates the multiple levels of parasitism. Combes differentiates those parasites that feed off a host without benefiting it from two other types: commensals and mutualists. Commensals live on or within another organism without harming or benefiting the host. Mutualists, on the other hand, do help their hosts. According to Combes, orchids are an apt example of mutualism, because to extract pollen from orchids, moths must have a long probuscis. As with some parasites and their hosts, orchids and moths have evolved mutually, deriving benefits interdependently. Although he emphasizes the interdependent relationships shared by parasites and their partner hosts, Combes debunks notions of mutualism that romanticize nature. Instead, parasites are part of a biotic community in which producers and consumers interact interdependently, surviving in relation to a food web that includes both life and death, not in a Disneyfied harmony like that found in Bambi (1942).

Central Illinois Feminist Film Festival 2017

2017 Central Illinois Feminist Film Festival Official Selections

Welcome to our virtual film festival! These selections will be available for screening until April 1, 2017.

To view films unavailable on Youtube or Vimeo, you can click on the links and insert the following user name and password:

user name: rlmurray@eiu.edu
pw: nib8.pet


A. Documentary Selections

High School Selections

Letters to Lucy
Luna Nguyen
downloadedvideo

Solidarity
Sylvia Gabriel, Ann Arbor, MI
downloadedlink

TRANSaction: Stepping Out of the Closet
Bridget Galaty, Denver, Colorado





Undergraduate Selections

Gaining Altitude by Kristen Currier from the Massachusetts College of Art and Design

To the Brown Girl in the Room by Zoe Davidson from Oberlin College in Ohio

B. Fictional Film Selections

High School Selections:

A Broken Match by Bridget Johnson:

Revelation by Catriona McLean: Filmfreewayvideo



Undergraduate Selections:

Super Predator by Kelechi Agwucha: Super Predator on Filmfreeway


Sandra: Say Her Name by Jamie Walker: Sandra on Filmfreeway



Selbst by Jeni Hudson

Books Behind Ecocinema Studies Part I

Even though we grew up in different regions we have always loved the natural world, hiking and camping with scouts and climbing neighbors’ trees as children. But the books we read promoted respect for animals more than a broader vision of the environment. 

We both fell in love with monkeys after reading Toby Tyler, or Ten Weeks with the Circus, horses after reading The Black Stallion and wild animals after discovering Wild Animals of North America. 

But as researchers, two books stood out as guides for real interdependent relationships with nonhuman nature:  Ellen Swallow Richards’ Sanitation in Daily

Life (1907) and Aldo Leopold’s Sand County Almanac, and Sketches Here and There (1949).

In Sanitation in Daily Life, Richards demonstrates that humans are part of nature, generating the basis for the human ecology movement. For Richards, urban problems like air and water pollution were products of human activity imposed on the environment and, subsequently, best resolved by humans. The human ecology movement evolved into home economics, but its grounding in conservation had lasting effects, including the environmental justice movements, health ecology, and urban planning.

In Sand County Almanac (1949), Aldo Leopold advocates for the good of all life as part of an ecosystem that includes humans, nonhuman animals, and plant life, not just those animals seen as sentient. For Leopold, “the individual is a member of a community of interdependent parts,” and those parts include all elements of the natural environment, from soil and plants to Bambi. A graduate of the Yale forestry school, Leopold promoted game management, evolutionary biology, and ecology, rather than sentimental anthropomorphism.

These two books helped ground our readings of a perhaps pristine natural world exploited and decimated by humanity.